{"id":63,"date":"2013-10-16T04:53:34","date_gmt":"2013-10-16T04:53:34","guid":{"rendered":"http:\/\/www.kateingold.com\/FlatFile\/?page_id=63"},"modified":"2025-09-17T16:08:31","modified_gmt":"2025-09-17T23:08:31","slug":"abt_cv","status":"publish","type":"page","link":"https:\/\/www.kateingold.com\/FlatFile\/abt_cv\/","title":{"rendered":"ABOUT_CV"},"content":{"rendered":"

INSTAGRAM: @kate.ingold<\/a><\/p>\n

BIO:<\/p>\n

Kate Ingold is an LA-based artist and poet working with the discarded, the damaged, and the worn out. Materials and methods include textiles, collage, photography, video, ceramics, and performative installation. She works in series driven by conceptual concerns and is currently making work in two interwoven projects: Reliquaries for Future Rituals and Damaged Goods\/Small Repairs.<\/p>\n

CV:<\/p>\n

\n

EDUCATION<\/p>\n

MFA, The School of the Art Institute of Chicago
\nBA, University of Illinois, Urbana-Champaign<\/p>\n

EXHIBITIONS
\n<\/em><\/p>\n

Stone Soup: A Group Exhibition @ Soka University Founders Gallery
\nFrances DePhillips and Shayla Rose-Brown, Curators
\nSeptember 18 – January 22, 2026<\/p>\n

Here After<\/a>
\nGroup Exhibition @ Bridge Projects Los Angeles
\nCara Megan Lewis and Linnea Spransy, Curators
\nMay 7 – July 30, 2022<\/p>\n

Unseen Things Are Still There<\/a>
\nGroup Exhibition @ Riverside Arts Center
\nJoanne Aono, Curator
\nFebruary 27 – April 9, 2022<\/p>\n

Art and Hope at the End of the Tunnel<\/a>
\nGroup Exhibition @ USC Fisher Museum of Art
\nEdward Goldman, Curator
\nSeptember 10-December 9, 2021<\/p>\n

Slowly, With Care
\nGroup Exhibition @ O’Connor Art Gallery, Dominican University
\nKaren Azarnia, Curator
\nJanuary 29-March 6, 2020<\/p>\n

To Sight’s Limit<\/a>
\nGroup Exhibition @ Woodland Pattern Book Center
\nJoshua Edwards, Curator
\nDecember 8, 2019-January 25, 2020<\/p>\n

“The Franz Kafka 15-Minute Workout” Performance
\nCantos Communes @ The Blockhouse
\n13th Bienal de Habana, Cuba
\nApril 17, 2019<\/p>\n

New Work in Collage Exhibition
\nHofheimer Gallery,<\/a> Chicago
\nFebruary 1 – 23, 2019<\/p>\n

Mending Wall Solo Interactive Installation
\nBrentwood Art Center, Los Angeles<\/a>
\nJanuary 23, 2019<\/p>\n

Staged Meaning\/Meaning Staged<\/a>
\nLandscapes from the Fisher’s Permanent Collection
\nUSC Fisher Museum of Art, Los Angeles<\/a>
\nJanuary 22 – April 13, 2019<\/p>\n

UNTITLED (House) Exhibition
\nArt from the Diane and Browne Goodwin Collection
\nIllinois State Museum, Lockport Gallery<\/a>
\nOctober 28, 2018 – April 15, 2019<\/p>\n

Kate Ingold and Brittany Ransom: New Works
\nCamera Obscura, Santa Monica, CA<\/a>
\nJuly 28, 2018<\/p>\n

Altered Exhibition (4-Artist show)<\/a>
\nChristopher Art Gallery
\nPrairie State College
\n(Essay by Curator Beth Shadur<\/a>)
\nJanuary 2 – February 1, 2017<\/p>\n

Group Exhibition
\nMade Out of What Foundation, Los Angeles
\nDecember 10 – 22, 2017<\/p>\n

Attention is the Beginning of Devotion
\nTwo-Artist Exhibition with Joanne Aono<\/a>
\nCurated by Sherri Denault<\/a>
\nVictorian House Art Gallery, Bourbonnais, IL
\nApril 8 – May 4, 2017<\/p>\n

2016 Patterns Exhibition with Luis DeLaTorre<\/a> and Betty Cleeland
\nCarlos and Dominguez Gallery, Chicago
\nOctober 2016<\/p>\n

Ghost Field Installation
\nCollaboration with Joanne Aono<\/a>
\nAn Unexpected Pause, Perry Farm<\/a>
\nAugust 26 – October 7, 2016<\/p>\n

Taking Shapes Exhibition<\/a>
\nHyde Park Art Center, Chicago
\nCurator: Connie Noyes<\/a>
\nJuly 26 – August 21, 2016<\/p>\n

Midwest Biennial<\/a>
\nRockford Art Museum
\nCurator: Sarah Krepp<\/a>
\nJune 10 – September 25, 2016<\/p>\n

DIALOGUE CHICAGO 12<\/a>
\nEvanston Art Center
\nMarch 6 – April 17, 2016<\/p>\n

Mending Wall\u00a0Solo Interactive Installation
\nMana Contemporary Chicago<\/a>
\nFebruary 2016<\/p>\n

The Relatively Brief Preponderance of Moments<\/a>
\nCultivator Arts<\/a>
\nCurated by Joanne Aono
\nSeptember 13 – October 17, 2015<\/p>\n

Study of the Forbidden Stitch<\/a>
\nTerrain Biennial
\nBray Grove Farm, IL
\nSeptember 2015<\/p>\n

Protext: When Words Enter Visual Art
\nIllinois State Museum (Springfield Gallery, Chicago Gallery)
\nCurator: Robert Sill<\/a>
\n2014-2015<\/p>\n

Everything in Place<\/a>
\nIllinois State Museum, Lockport and Springfield Galleries, Southern Illinois Art and Artisan Center
\nCurators: John Lustig<\/a> and Jennifer Jaskowiak
\n2013-2014<\/p>\n

Group Exhibitions
\nRoy Boyd Gallery, Chicago, IL
\n2008 – 2014<\/p>\n

Drawn to Language<\/a>
\nUSC Fisher Museum of Art, Los Angeles
\nCurator: Ariadne Liokatis
\n(catalogue<\/a>)
\nSeptember 3 – December 7, 2013<\/p>\n

Ways of Making: Digital
\n3-Artist Exhibition with Anne Hayden Stevens and Kate Friedman
\nGovernors State University, Illinois<\/a>
\nCurator: Jeff Stevenson<\/a>
\nMarch 6 – March 27, 2013<\/p>\n

Material Passes Through Material Solo Installation<\/a>
\nMOSNART<\/a>
\nChicago, IL
\nCurator: JB Daniel<\/a>
\nOctober 27, 2012<\/p>\n

Group Exhibitions
\nArt Chicago International Art Fair, Chicago, IL
\n(Roy Boyd Gallery)
\nSeptember 2009-2012<\/p>\n

S.O.S.: Exhibition in Response to BP Oil Spill Tragedy
\nGroup Exhibition
\nBridgeport Art Center
\nSeptember 2010<\/p>\n

Night Telegram\/Water Speak Solo Installation and Performance<\/a>
\nMOSNART, Chicago, IL
\nCurator: JB Daniel<\/a>
\nOctober 3 – December 5, 2009<\/p>\n

Focus 4 (4 Solo Exhibitions)\u00a0<\/a>
\nIllinois State Museum-Chicago Gallery
\nCurator: Jennifer Jaskowiak
\nJune 1 – August 7, 2009<\/p>\n

Works from 21st Century Retablo<\/em><\/a>
\nSolo Exhibition
\nVictory Gardens Theater, Chicago
\nMarch 1 – 29, 2009<\/p>\n

Seven Decades of Collecting<\/a>
\nUSC Fisher Museum of Art, Los Angeles
\nDecember 3, 2008 – February 8, 2009<\/p>\n

Betty Cleeland and Kate Ingold: New Works
\nRoy Boyd Gallery, Chicago
\nDecember 2008 – January 2009<\/p>\n

Open Studio
\nChicago Artists\u2019 Month
\n2006<\/p>\n

POETRY\/ART PUBLICATIONS<\/p>\n

2019 Exhibition Essay, Hofheimer Gallery, Chicago
\n2018 Collaborative Exquisite Corpse, MIN-A-RETS,<\/a>\u00a0Issue 9, New Zealand
\n2018 “Two Poems from Ruins of Modernity,”<\/a> Southwest Contemporary
\n2018 Featured Artwork<\/a>, Bitch Magazine
\n2015 “Something’s Happening in Pullman,”<\/a> Bad At Sports Blog
\n2013 Chapbook Anniversary Feature<\/a>, Poetry Society of America
\n2012 Cover Art, The Seed Bank by Gabe Gomez
\n2010 \u201cThesaurus for Ceasing War,\u201d<\/a> Word For\/Word
\n2009 Cover Blurb, Songs My Mother Never Taught Me by Murray Shugars
\n2008 Dream of Water<\/em> chapbook, Poetry Society of America
\n2007 Cover Art, Outer Bands by Gabe Gomez
\n2006 Letter to the Editor, New York Times Sunday Magazine
\n2005 Personal Essay, National Public Radio\u2019s All Things Considered
\n2005 \u201cOur Lady of the New Millennium\u201d poem, Puerto del Sol
\n2003 \u201cDay Count\u201d poem, Free Verse, North Carolina State University
\n2003 \u201cOaxaca Moon\u201d poem, Alba
\n1998-2002 Numerous Introductory Essays, Journal of Ordinary Thought
\n1999 \u201cUniverse\u201d image\/poem work, Collected
\n1998 Artist of the Month Essay, F News Magazine<\/p>\n

PRESS_CATALOGUES<\/p>\n

2021, “Edward Goldman’s Own ‘Made in LA’: Pandemic Version,”<\/a> Tom Teicholz, Forbes.
\n2019, Cover Story, Living Brentwood (Carole Stein, editor)
\n2018 “Artist-in-Residence Kate Ingold Breathes Life…,”<\/a> Naomi Okuyama, SantaMonica.gov
\n2016 “6 of the Best: Part 37<\/a>,” Praeterita (Philip Hartigan)
\n2015 “5 Questions with Kate Ingold”<\/a> Cultivator (Joanne Aono)
\n2015 “14 Chicago Openings Not to Be Missed<\/a>,” Sergio Gomez
\n2014 “Five Image-Text Collages by Kate Ingold,” Kelsey Street Press Blog<\/a>
\n2014 Kate Ingold. Interview by John Lustig, Illinois State Museum Lockport Gallery<\/a>
\n2014 “Drawn to Language @ USC,” Betty Ann Brown, Art Ltd. Magazine
\n2013 Drawn to Language<\/em> Exhibition Catalogue, USC Fisher Museum of Art
\n<\/a>2013 “Drawn to Language,” Vidhi Todi, neontommy.com
\n2013 Untitled Review, Diane Calder, ArtScene (Los Angeles, CA)
\n2013 Poetry Society of America Chapbook Anniversary Profile<\/a>
\n2009 \u201cRecommended: Kate Ingold\/Illinois State Museum,\u201d New City Chicago
\n2009 \u201cFocus 4: Illinois State Museum,\u201d Kathryn Born, Art Talk Chicago<\/p>\n

\n
\n
\n
\n

HONORS<\/p>\n

2018 Artist-in-Residence, Camera Obscura Art Lab, Santa Monica, CA
\n2014 Finalist, Kelsey Street Press First! Contest (Myung Mi Kim, judge)
\n2013 Finalist, Kelsey Street Press First! Contest (Elizabeth Robinson, judge)
\n2013 Juror, Governors State University Student Show
\n2009 Illinois Arts Council Artists Fellowship Finalist Award
\n2007 National Chapbook Fellow, Poetry Society of America (Harryette Mullen, judge)
\n2001 Grant Recipient, Multi-Arts, Chicago Department of Cultural Affairs
\n2000-01 Grant Review Panelist, Chicago Department of Cultural Affairs
\n1998 Artist of the Month, The School of the Art Institute of Chicago F News<\/p>\n

READINGS_LECTURES_SEMINARS<\/p>\n

2020 Poetry Reading with Fred Schmalz and Chad Sweeney, Poetic Research Bureau, LA
\n2019 Artist Talk and Workshop, Brentwood Art Center
\n2017 Artist Talk and Lecture, The Art Division, Los Angeles
\n2017 Artist Talk, Pierce College, Los Angeles
\n2016 Visiting Artist Lecture, SAIC, Fiber and Material Studies
\n2015 Artist Talk\/Poetry Reading, Cultivator, Chicago
\n2014 Artist Talk, Illinois State Museum, Chicago Gallery
\n2014 Reading, Illinois State Museum, Lockport Gallery
\n2013 Reading and Lecture, Illinois State Museum, Chicago Gallery
\n2013 Presentation, Governors State University
\n2010-11 Image\/Text Poetry Seminars and Workshops, Newberry Library, Chicago
\n2009 Reading and Lecture, MOSNART, Chicago
\n2009 Reading and Lecture, Illinois State Museum, Chicago Gallery
\n2008 Reading, University of Southern California\u2019s Fisher Museum of Art
\n2008 Reading, Poetry Society of America, New York
\n2008 Purchase College, New York
\n2008 Image\/Text Poetry Seminar and Workshop, Purchase College, New York
\n2008 Image\/Text Poetry Seminar and Workshop, Newberry Library, Chicago
\n2005 Seminar and Workshop, Gallery 37, Chicago<\/p>\n

COLLECTIONS<\/p>\n

USC Fisher Museum of Art, Los Angeles, CA
\nArchives, USC Annenberg School for Communication and Journalism, CA
\nIllinois State Museum, Springfield, IL
\nThe Diane and Browne Goodwin Collection
\nPrivate Collections<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

INSTAGRAM: @kate.ingold BIO: Kate Ingold is an LA-based artist and poet working with the discarded, the damaged, and the worn out. Materials and methods include textiles, collage, photography, video, ceramics, and performative installation. She works in series driven by conceptual concerns and is currently making work in two interwoven projects: Reliquaries for Future Rituals and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"spay_email":""},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P47aaw-11","_links":{"self":[{"href":"https:\/\/www.kateingold.com\/FlatFile\/wp-json\/wp\/v2\/pages\/63"}],"collection":[{"href":"https:\/\/www.kateingold.com\/FlatFile\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.kateingold.com\/FlatFile\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.kateingold.com\/FlatFile\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kateingold.com\/FlatFile\/wp-json\/wp\/v2\/comments?post=63"}],"version-history":[{"count":10,"href":"https:\/\/www.kateingold.com\/FlatFile\/wp-json\/wp\/v2\/pages\/63\/revisions"}],"predecessor-version":[{"id":2586,"href":"https:\/\/www.kateingold.com\/FlatFile\/wp-json\/wp\/v2\/pages\/63\/revisions\/2586"}],"wp:attachment":[{"href":"https:\/\/www.kateingold.com\/FlatFile\/wp-json\/wp\/v2\/media?parent=63"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}