Honored to have a studio residency at Santa Monica’s Camera Obscura Art Lab, April 25-August 1. I’ll be leading image/text collage workshops nearly every week during the residency and will have the studio open to visitors on the days I’m working there. Here’s a nice little q+a the director of the program posted recently:
My work is included in Altered, a four-artist show at Prairie State College’s Christopher Art Gallery curated by Beth Shadur, featuring work by myself and Katsy Johnson, Javier Chavira, and Rose Camastro-Pritchett. I’m showing Last Fisherman and Dark Waters, two image/text pieces from the Dream of Water project and series. If you attend the show, let me know what you think!
I’m honored to have two poems from my Ruins of Modernity series published in The Magazine Santa Fe. These poems were extracted from an essay by Dr. Shannon Lee Dawdy, “Clockpunk Anthropology and the Ruins of Modernity,” about the aftermath of Katrina in New Orleans. Shannon is an archaeologist, filmmaker, theorist, and exceptional thinker, who I’ve had the pleasure of getting to know after meeting her in Oaxaca. Many thanks to editor Gabe Gomez for including my work.
Joanne Aono and I will be exhibiting work in our two-artist show, “Attention Is the Beginning of Devotion,” at The Victorian House Art Gallery, a unique venue run by curator and artist Sherri Denault. Please join us!
April 8 – May 4, 2017
The Victorian House Art Gallery
Olivet Nazarene University
577 S Main Street
Betty Cleeland and I are opening our studio on Saturday, June 18, for Mana Contemporary’s Summer Open Studios. Join us to see our newest work and some of our older work (for sale!) and visit the other studios and happenings around the building. It will be a great night of exceptional art!
Mana Contemporary Chicago Open House, 6th Floor
2233 South Throop (at Cermak)
Saturday, June 18, 7-10 PM
Other opportunities to see my work this summer:
ROCKFORD ART MUSEUM
My embellished mourning quilt, The Relatively Brief Preponderance of Moments, is currently on view at the Rockford Art Museum’s Midwestern Biennial, curated by Sarah Krepp, through September 25, 2016. Read more here.
HYDE PARK ART CENTER
Artist and curator Connie Noyes included my piece, Drunken Forest: View from the Chromosphere, in Taking Shapes, a group exhibition at the Hyde Park Art Center. On view until August 16.
Joanne Aono and I are collaborating on an interactive performance/installation at Perry Farm in Bourbonnais, Illinois. Curated by artist Sherri Denault, we will be presenting installations with Denault, Margie Sula, and Patty McWilliams during the park’s annual Nightscape extravaganza August 26. The installations/interactive works will be on view through October 7, 2016. More info to come on my website and on Facebook.
Hope to see you soon!
I’m honored to be in a group show curated by Sarah Krepp at the Evanston Art Center, DIALOGUE 12. I’ve known Sarah since undergrad at U of Illinois, where she was one of my painting professors and my mentors. When I moved back to Chicago in 2010, I joined her monthly Dialogue critique group where I met some amazing artists and colleagues, including Robert Burnier, Karen Azarnia, Mara Baker, Melody Saraniti, Gregory Scott, and Chris Smith. When Sarah invited me to show with these artists, I jumped at the chance. The show is on view until April 17, 2016. I’m showing two quilts and a number of scratched photograph drawings from my Damaged Goods/Small Repairs series. Here’s an installation view:
Meet me at the Mending Wall, an interactive performance involving graphite, erasers, and collective action.
Recognizing that the act of erasure can be an act of healing, and that communities are built on the support and assistance of others, this collective erasing is a direct response to the suffering around us, an offering to come together and work on a challenging task. Visitors are invited to erase their regrets, desires, prayers, or any message that needs attention or mending into the graphite, or to simply help erase the graphite from the wall wordlessly. Graphite is messy and difficult, if not impossible, to erase completely, yet the act of erasing gives us the opportunity to slow down and thoughtfully work together. Echoing the final blowing away of a sand mandala painting, or the washing and cleansing that follows any act of disruption or violence, the mending wall is a drawing-by-erasure made communally, containing the personal and collective in one action.
When: Mana Contemporary Open House, February 21, 2016, 12-4PM and through February 28.
Where: Mana Contemporary, 2233 S Throop (at Cermak), 5th Floor
I will be installing the graphite on February 19 and 20, 11-4. Stop by if you’d like to help. If you can’t make the opening on the 21st, come by anytime during the week to erase your message into the wall and participate in this erasure meditation.
Link to the Facebook Event: https://www.facebook.com/events/1111243145573551/
Joanne Aono, artist and curator of Cultivator, invited me to answer five questions about my work. Check it out!
Finished installing my solo show, “The relatively brief preponderance of moments” at Joanne Aono‘s new exhibition space Cultivator today. The show features an embellished damaged mourning quilt and a selection of drawings from my new Damaged Goods_Small Repairs series. I’m super excited about this show!
When: September 13, 2015 @ 2-5PM
Where: Cultivator, 4636 N Ravenswood, #204
The show will be up until October 17, with regular showings every Wednesday from 2-5 and also by appointment. Please message me if you’d like to come by and see the show sometime this month. Come by!
I’m honored to have been invited by Joanne Aono, an artist I deeply admire, to be the inaugural artist in her new Cultivator Projects both at the Ravenswood location and at Bray Grove Farm about 70 miles southwest of Chicago. At Cultivator (the Ravenswood location), I will be showing a selection of paper and textile pieces from my new series, “Damaged Goods_Small Repairs,” which furthers my investigation into disintegration, tenderness, and the body. The installation at the farm is part of Sabina Ott’s Terrain Biennial, an international celebration of outdoor sculpture and installation produced outside of the museum/institution setting. Ott invites artists to show in the front yards of people’s homes for a month, where the art is visible to the neighborhood. I will be installing at the farm on Labor Day weekend. Here is a mock-up photograph and a short description of the installation project:
At Bray Grove Farm, I will install “Study of the Forbidden Stitch,” a three-dimensional line drawing made of sisal twine and real gold thread (old/new stock from Japan used to make obi and kimono) strung between two trees on the lawn of the farm house. Echoing the woven and wound installations of Anne Wilson’s Walking the Warp and To Cross (Walking New York), and the movement of the farmer and his equine helpers as they walk in uneven, hand-drawn lines across the farm’s field, the drawing will be difficult to install and may sag within hours or with the first rain, as the twine may not hold or may even disintegrate. The precarious nature of the drawing will reflect the nature of farming itself, as the farm’s success depends on the consistent physical labor of the farmers and their mules, the weather, and other relatively unpredictable elements. As a series of parallel lines strung low between tree trunks, the drawing will become an added visual to the horizon that is noticeably present at the farm. Bound by a white fence and surrounded by the tall standing corn of neighboring farmers’ fields, the site opens up to the sky on a decidedly human scale, free from the massive verticality of the city just 70 miles northeast.
Bray Grove Farm Opening: Monday, September 7, 3-5 PM
Cultivator Opening: Sunday, September 13, 2-5 PM